CBSE Class 9 Hindustani Music Vocal Syllabus 2024-25
HINDUSTANI MUSIC VOCAL (Code – 034)
Examination Structure for Assessment (2024-25)
Class IX
Total : 100 Marks
Theory: 30 Marks
Time: 02 Hours
Practical: 50 Marks
Time: 15-20 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
Sr. No. |
Value Points |
Marks |
1 |
Alankaras set to all prescribed Ragas and Talas |
4 |
2 |
One Swarmalika and one Lakshan Geet |
6 |
3 |
Aaroha, Avaroha, Pakad and Drut Khayal with few Aalaps and Tanas in each of the following Ragas 1. AlhaiyaBilawal 2. Yaman 3. Kafi |
24 |
4 |
Identification of prescribed Ragas from the passages of Swarasrendered by the examiner |
4 |
5 |
Any three of the following: i. Devotional Song ii. Folk Song |
6 |
6. |
Recitation of the Thekas of the prescribed Talas with dugun: 1. Dadra 2. Keharwa 3. Ektala 4. Teentala |
6 |
* Teachers will refer to the distribution of marks while examining the candidate for practical examination.
Internal Assessment: 20 Marks
Class IX Course Structure (2024-25)
Theory: 40 Periods
Time: 02 hours 30 Marks
- Questions to be set with internal choice covering the entire syllabus
Sr. No. |
Units |
Periods |
Marks |
Unit 1 |
10 |
06 |
|
1.1 |
Definition of the following: Sangeet, Dhwani, Nada, Shruti, Swar, Saptak, Alankar,Thaat, Jati |
06 |
|
1.2 |
Definition of the following: Laya, Tala, Matra, Sam, Tali, Khali, Vibhag, Avartan |
04 |
|
Unit 2 |
08 |
06 |
|
2.1 |
Define the following: Raga, Aroha, Avroha, Pakad, Vadi,Samvadi, Anuvadi, Vivadi. |
04 |
|
2.2 |
Define the following: Swarmalika, LakshanGeet, Khayal. |
04 |
|
Unit 3 |
04 |
04 |
|
3.1 |
Notation System of Pt. V.D Paluskar and Pt. V.N. Bhatkhande |
04 |
|
Unit 4 |
14 |
10 |
|
4.1 |
Description of the following Ragas: Alhaiya Bilawal, Yaman, Kafi |
08 |
|
4.2 |
Description and ability to do Tala- Notation of the following Talas: Teentala, Ektala, Keharwa, Dadra |
06 |
|
Unit 5 |
04 |
04 |
|
5.1 |
Ability to write notation of compositions |
04 |
Class – IX
Practical-100 Periods 50 Marks
Sr. No. |
Topics |
No. of periods |
1. |
Four Alankaras set to all prescribed Ragas and Talas. |
10 |
2. |
One Swarmalika and one Lakshan Geet in eachprescribed Raga. |
15 |
3. |
Aaroha, Avroha, Pakad and Drut Khayal with few Alaps and Tanas in the following Ragas: Alhaiya Bilawal, Yamanand Kafi. |
45 |
4. |
Identification of prescribed Ragas from the phrases ofswaras rendered by the examiner. |
8 |
5. |
· Devotional Song · Folk Song |
12 |
6. |
Recitation of the Thekas of the following Talas with Dugun, keeping Tala with hand- beats:Dadra, Keharwa, Teentala,Ektala, |
10 |
HINDUSTANI MUSIC VOCAL (2024-25)
(Code – 034) Class IX
Internal Assessment: 20 Marks
- Project–File 05Marks
- Writing in notation the musical compositions of all Ragas prescribed in the syllabus Identifying the Tala of Musical compositions
- Drawing and labelling the various parts of
- Description and writing the notation of prescribed Talas with Layakaries (Thah ,Dugun, Tigun, Chaugun)
- Identifying and interviewing neighbourhood
- Knowledge about any one percussion artist
- Knowledge about any one percussion artist
- Project 05Marks
Suggestive Topics * Interrelationship of the following;
- Music and Physics (Sound – Frequency, vibration, pitch, intensity, timbre)
- Music and Mathematics (Mathematical Calculation of laya)
- Music and History (Development of Music during the medieval period)
- Music and Geography(Development of Music in varied cultural zones e.g. songs, instruments in mountainous or hilly areas)
- Music and languages – Dialects in folk Music
*Students may choose any one of the above topics or any other topic for project in consultation with the teacher.
- Periodic practical Test, restricted to three in an academic 10 Marks
Average of best two tests to be taken for final marks submission. Each test will examine a candidate for one Raga from the syllabus, one Devotional Song / Folk song and two Talas.
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