CBSE Class 9 Hindustani Music Melodic Instruments Syllabus 2024-25
HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)
Examination Structure for Assessment (2024-25)
Class – IX
Total: 100 Marks
Theory: 30 Marks
Time: 02 hours
Practical: 70 Marks
Time: 15-20 Minutes for each candidate
- Examiners are requested to ask the questions directly related to the
- Marks should be awarded in accordance with the marking
Distribution of Marks
Sr. No. |
Value Points |
Marks |
1. |
Chalan set to all Ragas |
06 |
2. |
Alankaras set to Ragas and Talas.4Talabaddha Alankars set to all prescribed Ragas and Talas have been deleted |
04 |
3. |
Aaroha, Avroha, pakad, Drut gat with few Todas in eachof the following prescribed Raga: 1. Alhaiya Bilawal 2. Yaman 3. Kafi |
30 |
4. |
Identification of prescribed Ragas from the phrases of swaras rendered by the examiners |
05 |
5. |
Recitation of Thekas of prescribed Talas with Dugun 1. Dadra 2. Keharva 3. Ektala 4. Teentala |
05 |
* Teachers will refer to the distribution of Marks while examining the candidate for Practical Examination.
Internal Assessment: 20 Marks
Course Structure (2024-25)
Class – IX
Theory: 40 periods
Time: 02 hours 30 Marks
- Questions to be set with internal choice covering the entire syllabus
No. |
Units |
No. of periods (40) |
Marks (30) |
Unit 1 |
10 |
6 |
|
1.1 |
Definition of the following: Sangeet, Dhwani, Nada, Shruti, Swara, Saptak, Alankar,Thaat, Jati |
05 |
|
1.2 |
Definition of the following: Laya, Tala, Matra, Sam, Tali, Khali, Vibhag, Avartan |
05 |
|
Unit 2 |
08 |
6 |
|
2.1 |
Definition of the following: Raga, Aroha, Avroha, pakad, vadi, Samvadi, Anuvadi,Vivadi. |
04 |
|
2.2 |
Definition of the following: Gat, Swarmalika, Lakshan Geet, Khayal |
04 |
|
Unit 3 |
04 |
6 |
|
3.1 |
Notation System of Pt. V.D Paluskar and Pt.V.N. Bhatkhande |
04 |
|
Unit 4 |
10 |
6 |
|
4.1 |
Description of the following Ragas: Alhaiya, Bilawal, Yaman, kafi |
05 |
|
4.2 |
Description and ability to do Tala- Notation of the following Talas with dugan: Teentala, Ektala, Keharwa, Dadra |
05 |
|
Unit 5 |
08 |
6 |
|
5.1 |
Ability to write notation of compositions in prescribed Ragas. |
08 |
Practical-100 Periods 50 Marks
Class – IX
Sr. No |
Topics |
No. of periods (100) |
1. |
Six chalans set to all prescribed Ragas. |
10 |
2. |
Four Tala – baddha Alankaras set to all prescribed Ragas and Talas. |
15 |
3. |
Aaroha, Avaroha, Pakad, Drut Gat with few Todas inthe following Ragas: Alhaiya Bilawal, Yaman, Kafi |
50 |
4. |
Identification of prescribed ragas from the phrases of swaras rendered by the examiner. |
10 |
5. |
Recitation of the Thekas of Dadra, Keharwa, Teentala, Ektala, with Dugun, keeping Tala withhand beats |
15 |
Internal Assessment: 20 Marks
- Project File: 05 Marks
- Writing in notation the musical compositions of all Ragas prescribed in the syllabus,
- Identifying the Tala of the musical
- Identifying and Interviewing neighbourhood Artists
- Draw& label any one instrument (melodic).
- Description and writing the notation of prescribed Talas with Layakaries (Thah,Dugun,Tigun,Chaugun).
- Knowledge about any one of the percussion
- Project Work 05 Marks
- Suggestive Topics*
Interrelationship of the following:
- Music and Physics (Sound – Frequency, vibration, pitch, intensity, timbre)
- Music and Mathematics (Mathematical Calculation of laya)
- Music and History (Development of Music during the medieval period)
- Music and Geography (Development of Music in varied cultural zonesg.songs, instruments in mountainous or hilly areas)
- Music and languages – Dialects in folk Music
- Periodic practical Test, restricted to three in an Academic year.10 Marks Average of best two tests to be taken for final marks Each test will examine a candidate for one Raga from the syllabus, one Folk song or one Dhun and two tala.
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