CBSE Class 12 Carnatic (Percussion Instrumental) Syllabus 2022-23
CARNATIC (PERCUSSION INSTRUMENTAL)
MRIDANGAM (CODE NO. 033)
CLASS–XII (2022-23)
Total Marks: 100
Theory
Marks:30
Time: 2 Hours
|
A. |
History and Theory of Indian Music |
No. of periods |
|
I
i |
An outline knowledge of following Lakshana Granthas with special reference to Tala and percussion in Chaturdandi Prakashika, Sangita Ratnakara, Ragavibhodha, Svaramela Kalanidhi |
2 |
|
ii |
Short life sketch and contributions of the following luminaries: Needamangalam Meenakshi Sundaram Pillai, Tanjore Vaidyanatha Iyer, Palghat Mani Iyer, Umaiyalpuram KodandaRamaiyer, Palani Subramania Pillai, VilvadriIyer. |
5 |
|
iii |
Study of the musical forms, Pallavi, Sollukattu, Tillana, Padamand Javali |
08 |
|
II |
Definition and explanation of the following: Arudi, Eduppu, Gati-bheda, Anuloma, Pratiloma, Tisram, Trikalam, Theka, Shadangas, Talas. |
08 |
|
III |
The candidates should have an outline knowledge of the classification of Percussion instruments in general and a brief history of the instrument optedfor |
5 |
|
IV |
Technical Terms: Vilamba, Madhya, Druta, Atitam, Anagatam, Pharan, Kalapramanam, Ghumki, Konnakkol, Choru, Varu, Toppi |
06 |
|
V |
The candidate should possess knowledge of the fundamental structure, technique and playing of other percussion instruments like Morsing, Tabla, Chenda, Edakka and Gettu Vadyam. |
06 |
|
|
Total Periods |
40 |
Format of Examination
|
Sr. No. |
Topics |
Marks |
|
I |
MCQ covering the whole syllabus |
6 Marks |
|
II (i) |
Notation of the Korvais & Teermanams of the prescribed talas Adi, Rupaka, Misra Chapu & Khanda Chapu |
6 Marks |
|
(ii) |
Playing technique & construction of instrument opted |
6 Marks |
|
(iii) |
Explanation of construction & playing technique of other percussion instruments |
|
|
III (i) |
Life sketch and contribution of composers |
3 Marks |
|
(ii) |
Lakshana Granthas |
3 Marks |
|
IV (i) |
Definition |
6 Marks |
|
(ii) |
Musical forms (Topic 2 & 4) |
|
|
|
Total Marks |
30 marks |
CLASS–XII Practical
Marks: 70
|
B. |
Practical Activities |
No of periods |
|
I. |
Ability to construct Mohra and Korvai to Khanda jati Ataalam and Triputa tala. |
25 |
|
II. |
An exhibition of accompanying ability |
25 |
|
III. |
Demonstration of the various types and usages of Gumki. |
25 |
|
IV. |
Ability to play Tani Avartanam in Misra and Khanda Chapu Talas . |
25 |
|
|
Total Periods |
100 |
- Project Work – Marks:10
Guidelines:
Minimum four reports and maximum ten reports have to be submitted. Best four will be considered for evaluation.
- Must attend and report live concerts (both Vocal and Instrumental).
- Details of the organization (i.e., notices informing the concert has to be included in the project).
- Items presented in
- Details of each item presented (whether creative or Manodharma aspects inluded).
- Audience response and duration of
- Details about the item in which Tani avartanam was
- Photographs of the live (If possible).
Note: In absence of live classical concerts, students can make report on Devotional Bhajans, T.V. live shows,etc.
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