CBSE Class 10 Carnatic Music Percussion Syllabus 2022-23 (PDF Download)

Sr. No.

Topics

Periods

I

Detailed Knowledge about the structure and components of the instruments opted.

5

II

Playing techniques adopted for Sapta tala alankaras in three speeds.

6

III

16 Angas of Talas, Korvai, Koraippu etc. In preparing Korvai and Koraipu, only Adi and Roopka talas expected. Other talas are deleted

7

IV

Basic knowledge of Jaati and Gati Bhedas in detail.

5

V

A brief outline of different schools of playing Mridangam. Deleted the detailed explanation of different schools of Mridungam but only Brief explanation is expected

4

VI

Life sketch and contribution of Palghat Mani Iyer and Palani Subramania Pillai

4

VII

A short outline knowledge of principles of practical performance.

09

Total Periods

40

Sr. No.

Sections

Marks

I

Section I

Six MCQ based on all the above mentioned topic

6 Marks

II

Section II

(i)

Illustration of the structure and components of the instruments with the help of a diagram.

6 Marks

(ii)

Explanation of the playing techniques adopted for Sapta Tala alankaras in three speeds.

6 Marks

III

Section III

(2×3) 6 Marks

(i)

Brief knowledge of different schools of Mridangam playing

(ii)

Knowledge of life and contribution of Palghat Mani Iyer and Palani Subramaniam Pillai.

(iii)

Outline knowledge of principles of Practical Performance

IV

Section IV

(3+3) 6 Marks

IV (i)

Shodasanga, Korvai, Kuraippu etc.

IV (ii)

Knowledge of Jaati and Gati bhedas.

Sr. No.

Topics

No. of Periods

I.

Knowledge of tuning Mridangam.

5

II.

To prepare and play Sollukattu for Adi, Rupaka, Triputa and Chapu

tala varieties.

20

III.

Accompaniment for musical form like Varnam, and Tillana.Deleted slow tempo accompaniment to Padam in addition to jatiswram and Kriti

25

IV.

Knowledge to prepare Mohra and Korvai in Adi, Rupaka, Chapu and Triputa talas.

25

V.

Play “Tani Avartanam” for at-least 6 to 8 avartanas in only Adi and Roopaka tala are expected and other varieties of

tala are deleted.

25

Total Periods

100

Sr. No.

Topics

Marks

I.

Ability to tune Mridangam

6

II.

Ability to prepare and recite Sollukattu for Adi, Rupaka, Triputa

and Chapu tala varieties.

10

III.

Knowledge about the way of accompaniment for musical

formslike Varnam, kriti, Jatiswaram, Padam and Tillana.

10

IV.

Preparation of Mohra and Korvai in Adi, Rupaka, Triputa and

Chaputalas.

14

V.

Ability to play “Tani Avartanam” for at-least 6 to 8 avartanas in

simple talas.

10

Total

50